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This textbook presents a series of concise, simply written and well
illustrated technical information sheets, providing essential job
knowledge and understanding for the painter and decorator. It gives
thorough coverage of materials and equipment ? both decorative and
industrial ? currently in use, and gives useful guidance on
specification. Throughout, considerable emphasis is placed on
safety precautions. The sixth edition has been extensively revised
to include new developments in tools, equipment and materials,
particularly with regard to spray painting technology and the move
to low VOC paints. The chapters on scaffolding and health and
safety have also been thoroughly updated to ensure they reflect
current regulations and best practice. The content covers the
knowledge evidence for both National Vocational Qualifications
(NVQs) and Scottish Vocational Qualifications (SVQs) in painting
and decorating. The book?s extensive but concise information will
also make it an excellent reference for practising painters and
decorators. * provides essential job knowledge for NVQ Levels 2 and
3 students of painting and decorating * full colour edition of this
highly successful text, first published in 1975 * thoroughly
revised to cover new developments in tools, equipment, materials,
scaffolding, and health and safety * completely new colour
illustrations with information presented in simple, structured
information sheets * also of interest to the professional needing
specialist up-to-date information
Peter Bernstein led four albums for the Swiss Criss Cross label
during 1992-1997. His fourth effort has him heading a trio with
organist Larry Goldings and drummer Bill Stewart. Some of the
selections are very much in the soul/jazz tradition, since the
Jimmy Smith influence can be heard now and then in Goldings'
playing and Bernstein's main influence is Wes Montgomery. However,
some of the originals are more advanced and the music still sounds
pretty fresh. Among the highlights are Bernstein's ironically
titled "Sublime Indifference," Goldings' tricky "The Acrobat," Hank
Mobley's "The Breakthrough," and a relaxed version of "How Deep Is
the Ocean." ~ Scott Yanow
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